Studio & Process

I began working with stained glass in 2003, but was soon drawn to kiln-formed glass for the creative freedom it offers. Glass fusing allows me to build layered compositions and create functional and sculptural pieces that interact with light in dynamic ways.

Each work begins with hand-cut shapes from sheets of transparent, semi-transparent or opaque glass. These elements are carefully arranged and layered to form the design. By combining colour, texture and varying degrees of transparency, I create depth, contrast and subtle visual effects. I also enjoy experimenting with additional materials, such as metals or mica, to introduce further complexity and variation.

The pieces are then fired in a kiln, where the glass melts and fuses together. This process typically involves multiple firings at temperatures of up to 750°C. Between firings, each piece is cold-worked to refine its shape and achieve clean edges. A final fire polish gives the work a smooth, luminous finish.

This multi-step process results in one-of-a-kind pieces, each shaped by both intention and the inherent behaviour of glass.

While the studio is at the heart of my practice, my work also extends beyond it, from photographing finished pieces and maintaining my website, composing newsletter and social media posts to preparing for exhibitions, markets and commissions.

 

Photo: Rainbow swizzle sticks in the making.